Tuesday, 13 February 2018

The Trilogy

There was a time when I was a book hoarder. My shelves were crammed with every paperback I had ever read, regardless of the quality of the work. This all changed when I immigrated. Most of the books I owned weren't worth the trouble of transporting across an ocean. This gave me a different perspective on my book shelf. Today, I only keep books that I really believe I will read again or are important reference works.

In fact, of my entire book collection, there was only one work which I knew from the beginning would definitely be coming with me: The Lord of the Rings.  If you are reading this blog, I'm sure I don't need to go into why this work is important to me. Not only did I always want to keep this trilogy with me, I wanted to keep my specific copy. It's not rare, or valuable, but it is rather nice.

I bought it about twenty years ago when I was working in a rare and second-hand bookshop in Chapel Hill, NC. Although it has been carefully erased, if I look very closely, I can just see where the $30 price was written. While I'm sure I got my employee discount on that, it was still a descent chunk of money at a time when I was eating spaghetti every night (literarlly) and couldn't afford to replace my shoes. It's good to think that even then I had my priorities right!

There are a couple of interesting things about this collection. The books state that they are part of the 10th printing of the 1965 US edition, except for The Return of the King which claims to be part of the 9th printing. I'm not sure if this is because this book is original from a different set or just an oddity because this book was published later than the other two. Also, on the dust jackets of all three books it says 'Revised Edition', but on the inside it says 'Second Edition'.

All three books feature dust jackets similar to the front of the slipcase, and the tops of the pages of each is stained with a colour to match the dust jacket. My dust jackets are protected with clear acetate which I obtained from the store where I was working.

All three volumes feature pasted in maps (mostly black and white, though with spot red). The first two volumes contain the classic 'Middle-Earth map', while the third features a blow up of the region around Gondor and Mordor.

Under the dust jackets, each volume has a very attractive cloth cover featuring the Eye of Sauron and a ring - although, oddly, the ring has some kind of decoration or gemstone. This little design is also featured in small on the back of each dust jacket.

My father owns a similar collection of the trilogy, although his are displayed in the cloth as the dust jackets decayed after too many readings to his children (thanks, Dad!).

Should I ever move countries again, I feel sure that these books will accompany me still.

Wednesday, 7 February 2018

Easterling Envoy

I am operating a new system for painting miniatures these days. I start off by going to the lead pile and picking out 3 to 5 models that I’d like to paint right now. I prep and prime them as a unit, and then paint them one by one, not even thinking about any others until I am finished. So far, this new system has a made a huge difference to my enjoyment and productivity. I am no longer weighed down by a mass of unpainted minis on my table, nor am I likely to get bored of the particular miniatures I am painting before finishing. Especially since the minis chosen often have nothing to do with one another.

For example, in the latest batch, I pulled out this guy. It’s a GW The Lord of the Rings miniature depicting Háma, Captain of the Guard of King Theoden of Rohan. However, I already have a by-the-book painted miniature of Háma in my collection, one that is in a more combat-ready stance. Not really needing a second, I decided to paint him as a different character.

Looking around for inspiration, I latched onto the colours used by GW for their Easterlings. The red and gold makes quite an attractive combination. So, I tried it out. I also gave the figure dark hair and a darker complexion to take it farther away from its Rohan origins. I’m pretty happy with the results. It wasn’t a hard figure to paint, but it’s a beautiful sculpt.

I figure this guy is some kind of envoy from one of the Easterling kings to Gondor in the years proceeding the War of the Ring. Of course, he constantly tells Denethor that his king will provide aid against Mordor, and, of course, he’s lying through his teeth…

Since I have brought up the character of Háma, and am unlikely to ever do so again, let me just say, that this is one of the few areas where I was disappointed by Peter Jackson’s LOTR trilogy. Háma is a very minor character really, but he is well played by John Leigh. His knowing decision to ignore Grima’s order to ‘take the wizard’s staff’ and to not interfere with Gandalf in Edoras, goes a long way to saving his king.

In the books, Háma is killed while fighting at Helm’s Deep. In the movie, he is killed in a rather brutal and dismissive fashion by a warg-rider on the journey to Helm’s Deep. To me this was a missed opportunity. His death accomplishes nothing in the movie. It’s never even remarked upon. Instead, if he had died at Helm’s Deep, this could have been used to illustrate the sacrifice of the Rohirrim at that battle – and frankly, would have probably produced a more moving death scene than the one of Haldir, who wasn’t an overly relatable character. Just to confuse matters in the movie, we do encounter Hama’s son Haleth before the battle of Helm’s Deep. This does give a nice moment of humanity to Aragorn, but it is kind of left hanging, since we never learn Haleth’s fate at the battle. 

Minor, I know, but I’ve always had a soft-spot for these second tier characters

‘In a grave alone under the shadow of the Hornburg lay Háma, captain of the King’s guard. He fell before the gate.

-The Two Towers

Thursday, 1 February 2018

Spellcaster Contest!

For the first two-issues of Spellcaster: The Frostgrave Magazine, I wrote most of the content myself. While this has been fun, it has always been my intention to invite others to participate in its creation. While I have started that process with a few targeted invitations for Issue 3, I am not quite ready to open it up to general submissions. That said, I wanted to give everyone who loves Frostgrave a chance to participate and an excuse to get their creative wizard hats on. So, I am announcing the first ever Spellcaster Contest!

A couple of years ago, I wrote an article for Wargames: Soldiers & Strategy which was essentially a collection of unique magical treasures, presented in the form of the auction. Well, I think it is time for a new auction, and I would like to invite everyone to submit one item for the auction. I will choose my 3 or 4 favourites to include in the issue, and everyone whose item is chosen will get a free PDF copy of the magazine.

Here is an item that was cut from that original article. It shows the format that each submission should take:

Sword of Wounding and Healing (Reserve Price 400gc)
The origins of our next item remain obscure. Probably it was a gift to a trusted lieutenant, or perhaps part of a payment to a mercenary for services rendered. The blade itself is magical and designed to burn inside any wound inflicted, a nasty piece of work. It also contains one other surprise. The hilt of the weapon contains a small hollow chamber sealed with a thick ornament of cut glass in the pommel. The chamber acts as a vial, holding a tiny amount of healing potion, just enough, perhaps, to keep one alive. Perhaps the language of the inscription on the blade will one day be understood, and the history of the item will become clear. Until then, it must remain a mystery. The bidding starts at 400gc...

This magical hand weapon has a +1 damage modifier. In addition, the bearer of the blade can spend one action to drink the potion contained in the pommel. This hidden chamber holds just enough healing potion to heal 2 points of damage. Between games, this potion store can be replenished by sacrificing another Healing Potion owned by the wizard. This replenishment uses up the whole of the Healing Potion.

Submissions should be no longer than 250 words, and must contain both a narrative section and rules section. Submissions should be sent to frostgraveowg@gmail.com. The contest is open now and will run to the end of February, when I will choose the winners.

Good luck, and I look forward to seeing what everyone comes up with!

Spellcaster: Issue 1 is available

On Kindle.
A print-on-demand is coming soon from RPGNow.com

Spellcaster: Issue 2: is available

On Kindle.

Wednesday, 31 January 2018

Mirika Semova

Having finished Yelen Semova a few days ago, I went straight into painting her sister, the young, talented chronomancer, Mirika.

Like Yelen, I started by sawing Mirika off her integral base and gluing her onto a GW style base. I’m getting better at this technique and really liking the results. Also, like Yelen, I wanted to paint Mirika more-or-less as she appears on the cover of Second Chances.

This immediately presented me with a problem. On the cover, Mirika is wearing a shirt that is decorated with lots of little flowers… my painting skills are definitely not up to free-handing a bunch of miniscule flowers. Instead, I gave the shirt a yellow-green base coat and then decorated it with little splotches of red and yellow, in the hopes that I could simulate the look. I always find it daunting to paint anything using this approach, such as camouflage, where you use irregular splotches of different colours semi-layered on top of one another. It tends to look terrible while you are painting it, like you’ve completely lost control of the brush, but hopefully, when the final colour is put on, it all sort of comes together.

You can make your own mind-up how it worked here, but personally, I think it came out well, especially on the front, where there is less of her shirt visible. The back looks a little more polka-dot, but I still think it works well enough there. The rest of the model was more straight forward. It’s a very bright and colourful outfit (as befits the character).

So, very happy with these little models. The sisters are ready to take on the dangers of Frostgrave

Monday, 29 January 2018

Yelen Semova

Occasionally, I finish painting a miniature, and I am so pleased with it, that I keep pulling it off the shelf to look at it like Bilbo having a quick glance at the One Ring. It doesn’t happen often, but it did with this latest figure.

This is one of the few figures in the Frostgrave line that actually depicts a specific character. She is Yelen Semova, one of the two sisters that star in Matthew Ward’s novel, Frostgrave: Second Chances. I know I have said it before, but it is worth repeating, if you like adventure fantasy with strong characters, or you just really like Frostgrave, this novel is definitely worth a read. And, once you read it, you’ll almost certainly want to pick up the Semova sister miniatures!

This miniatures was sculpted by Bobby Jackson to match Dmitry and Kate Burmak’s artwork that graces the novel’s cover. Bobby has done a wonderful job of deciding which details to include.

I did my best to paint Yelen to match her look on the cover artwork (I’m generally pretty bad at choosing colour schemes anyway!), and took as many attempts as necessary to get all of the little details I could manage. I hope the effort shows!
Now, on to painting her sister!

Thursday, 25 January 2018


Last year, my cousin (twice-removed) David Walker passed away. As far as I can remember, I never actually met the man – maybe when I was very young – but we did trade correspondence on a couple of occasions. Both David and I were interested in the American Civil War, and specifically, our shared ancestor Maj. John Stewart Walker who fought for the Confederacy and was killed at the battle of Malvern Hill.

A few months after his death, I saw my cousin (once-removed) Lucy, and shave gave me the little painting seen here. She said she took it from the wall of David Walker’s house after everything else had been removed. Likely, no one in the family wanted the responsibility of what to do with this obviously old, but slightly…(actually, I’m not sure of the word I’m looking for here) piece of history. Lucy said she felt bad that it had been abandoned, and knowing my interested in the Civil War she took it for me.

For those who aren’t in the know about such things, the centre flag was the first official flag of the Confederacy. However, because of its similarities to the US Flag, it was soon replaced by the Confederate Battle Flag (the flag on the right) for military operations. The flag on the left is the third and final ‘official flag of the Confederacy’, and was only used for a few months before the Confederacy’s collapse.

While it’s nicely painted in most places, it has been somewhat crudely ‘cleaned’ with white paint in some spots.

When Lucy gave it to me, it was in a frame, and on the back was a little sticker that read:

Ernest Young
Art Store
3 N. Sevent St.
Phone 2656
Richmond, VA

I feel safe in assuming this is the company that framed it. I suppose, if I was really interested, I could get a sense of when it was framed by figuring out when Richmond would have used 4 digit phone numbers, but I’m not sure what this would really tell me about the piece.

Hoping to learn more, I took the painting out of its frame. Unfortunately, the frame was so old, it crumbled away during the process, and the endeavour proved mostly for naught. On the back of the painting, in pencil, are the numbers ‘9 x 11’ which is just the size of the piece, probably written by the framers, and one little line of illegible script in pencil, which may also be from the framers.

I fear it will remain a mystery. At a guess, I would say the painting was done by one of the wives or children of one of the Stewart brothers (At least 3 of whom fought for the Confederacy). I think it is old enough to date back to the war. More to the point, the further one gets in time from the war, the less likely it seems that anyone would paint such a piece.

So, now I am left with the question of what to do with it. I admit it, while I would feel no particular shame in hanging this on my wall (especially in a country where it would have little recognition or meaning) I feel no compulsion to do so. In fact, I’ve already got a photo of another of my Confederate ancestors on the wall – that’s probably enough for one war.

For now, I think I shall just put it away in my filing cabinet. Perhaps to save for another generation to ponder over.

Wednesday, 24 January 2018


I've been on a mini-painting tear lately. (That being a small tear of miniature painting). The latest miniature to fall before my brush is this Ghost Archipelago shark sculpted by Richard Kemp.

I've got to admit, when I'm writing rules and making up monsters, I rarely stopped to think, 'how are they going to sculpt this'? I'm sure it has caused Osprey and North Star a few headaches! Which is all a way of saying that I think they did a great job designing a miniature for a shark that can actually be used on the table top. It is very simple, but hugely effective. It was also a quick, fun paint!

The mini also comes with another little mini of a fin poking out of the water. I now regret not painting that up at the same time, but I'll get to it soon.

Now that I've got a shark, I might just have to have a go at that Ghost Archipelago scenario that Jim Kelly wrote for the latest issue of Wargames Illustrated!